Sunday, March 15, 2015

Last Night I Met This Princess

Check out how life can confirm itself. So as an offshoot of my Sugar series i'm working on this series of paintings in which the subject matter is that of African royalty, especially from around the late 1800's and early 1900's. I love the stamp in time. I love the international flavor. Some of the flyest photographs I have ever seen. I wonder about the cost(s).. for this level of flyness. They were international people, as in international trade, of all sorts. I wonder If they sold us to them. Did my ancestors' hides pay for that imported cloth so gracefully draped around your torso? And even still I'm drawn to these images. We are a beautiful people. Or is it that we just make any situation look fly? Two nights ago I started this painting. It's still in progress, but the basic expression has been made. The crazy thing is, last night I met a sista who reminded me very much of the princess whose image the painting is based on, the princess of Toro from Uganda. The resemblance went beyond her hairstyle, which was similar, or her eyes, which were similar, but there was something in the way she carried herself that was similar too. Was like the process of painting this princess conjured her up in reality.

This art thing is a trip.

Would love your feedback on the new style. Kind of a neoclassicalafrostreetpop. Check it out...



Wednesday, March 4, 2015

New Work for 2015

Painting really is a discipline. When it's an active practice it can seem to push forward its own evolution. This is a sneak preview of where my practice is pushing my work within the Sugar series. Much of the aesthetic is a rollover from my tee shirt design work, digitally processed work executed in paint on mounted wood panels. I'm excited about the way these techniques can be used to make images that are both photo-realistic and abstract at the same time. All of these are works in progress.




King and Queens, Spray Paint, Latex and Acrylic on Mounted Wood Panel, 32x48"




Burning Cane Field, Latex and Acrylic on Mounted Wood Panel, 32x48"




God Save the Queen, Spray Paint and Acrylic on Mounted Wood Panel, 32x48"




Will the Real Madonna Please Stand, Spray Paint, Latex and Acrylic on Mounted Wood Panel, 32x48"

Monday, March 17, 2014

Sugar 2.0, April 2014 at Sole Space, Oakland

What comes to your mind when you hear or read the word "sugar"? Do you get warm feelings of satisfaction or maybe cringe with pinned up guilt? Do you think of it's origins or place in our society? It's history? I first began to use sugar as a theme for a series of multi-media art works in 2011. Initially it was a vehicle for getting into Black History Month. Certain words seem to immediately send our minds into the depths of "Black History" especially as it has been experienced in the western world over the last few centuries. I think "cotton" is one of them. But I don't think "sugar" is the same type of symbol for most folks. This series is a reflection of my study of and relationship with sugar.

The first group of works in the series included collage, stencils, drawings, writings and sometimes glitter in a mashup on various wood surfaces. My intention wasn't to make any specific points or list a whole bunch of detailed information on the topic, but instead to use it as inspiration for making interesting art. Sugar 2.0 is the next evolution of the same artistic process. The new work includes graphic paintings of tender, intimate moments between loved ones, lots of photo transfer onto wood panels, sometimes collaged to create layers of meaning, lots of stencil work and some thick coats of enamel on several pieces... Oh, and a mural in the exhibition space! On some next level expression fa sho. Growth.

Lastly, I'm doing a special limited edition tee shirt for the show. We're doing a special release on the 18th, midway through the show. The design is going to be something different than any other shirt I've done so far and truly reflective of the art works in the show, but simple and stylish at the same time. Hotness! Yall just watch.































































Peace and respect, E

Sunday, December 1, 2013

16 Cowries for Miami 2013

I'm pleased to write that the 16 cowries series is once again active and I'm producing new work as part of the series. At present the paintings from 2008 are on exhibit through mid March at the African American Art & Culture Complex in San Francisco. Showing that work lead to me doing a mural in the space and it was the first time I had "thrown" shells for a complete piece in several years. It was nice to know that the formula was still very accessible to me and very productive. When I thought of what work I wanted to take to Miami for Art Basil 16 cowries seemed perfect. So, these 5 canvases represent the rebirth of the series. They are similar to the '08 pieces, but have evolved in a new direction that I'm excited to unfold with more painting.
























Tuesday, July 10, 2012

BIO / artist statement

Bio:


my flesh is California

my roots grow upward from Texas

and Louisiana

Barbados

Ireland

Germany

my spirit vibrates

in African frequencies

been professin’ painter fifteen years

Shona style stone sculptor

ten years

visual

artist

lifelong

prefer candlelight

over incandescent or florescent

running into my people on the street

over driving

and smoking over drinking

first art instructors:

Uncle Butch

Grand Daddy Early

Pops’ photography

Isley Brothers

Mama’s craftwork

long black cadillacs

and panthers

afros

Chuck D.

reached into my ears

and opened my eyes

El Haj Malik El Shabaz

modeled clear conviction

Picasso

Mondrian

Gladys Knight

the whole Harlem Renaissance Movement

moves me

Basquiat

Curtis Mayfield

NWA

Village Bottoms massive

our collective

I paid academy of art college

to instruct their instructors

was humbled and blessed

with careful guidance

at Laney college

made family by Nicolas Mukomberanwa

at home in Africa

still a nigga

to galleries and police

at home

in america

my art speaks

these experiences

intending to be

beautiful and attractive

harsh and cold

rich textured

smooth and refined

hot like fire

coexisting

within one body of work

with many varied chapters

visual music

soul stirring imagery

raw-ass mindfunk

blackstrap molasses

straight to the bloodstream

I been called on

to do this

by ancestors

forever

and I

will

not

stop

Saturday, July 7, 2012

16 cowries

This body of work came out of the simple desire to "just paint" without having to think too much. I wanted a theme that would facilitate visual freestyle sessions without producing too much randomness or being purely abstract. The theme is taken from a method of divining in the spiritual practices of Ifa tradition in which the diviner throws 16 cowrie shells and reads the positions in which they land. I don't claim to be a diviner, but I was inspired by the idea of "throwing" 16 cowrie shells onto each canvas and deriving meaning from the resulting patterns. At first the result was just 16 abstracted shells and eventually, as the series progressed, I allowed words and other images to come in and out of the picture plane as they came to me. I considered whatever came to me in the form of inspiration to be the voice of the divine. Once each piece had 16 shells the painting was done. The bulk of the paintings in this series were done between 2006 and 2009 although they still emerge from time to time.



eesuu orundide 16 cowries / a love supreme



eesuu orundide 16 cowries / fuck tha police



eesuu orundide 16 cowries / seeds



eesuu orundide 16 cowries / sex



eesuu orundide 16 cowries / who's right

Thursday, June 28, 2012

stenciled multiples

This is some of my most contemporary work.  I started doing stencil work in 2008 with a simple cowrie shell stencil.  Eventually I was inspired by the street art movement and extended my stencil work to include multi-layer, multi-color images.  The images I choose are things I relate to pop art, but from a perspective that reflects my own immediate cultural influences.  I call this style Pop Noir.  Some of the multiples are on wood while others are on bristol board or acid-free paper.

Fela  2011



Gil Scott Heron 2011



Gil Scott Heron 2011


Nina Simone (Mother and Child)  2011



Nina Simone (Mother and Child)  2011



Aloe Vera Flower  2011



Badu  2010